editie 6 plus 2 AP’s
125 x 125 cm / 49.21 x 49.21 inch
editie 9 plus 2 AP’s
100 x 100 cm / 39.37 x 39.37 inch
editie 12 plus 2 AP’s
80 x 80 cm / 31.50 x 31.50 inch
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat-
108 cm w x 146 cm h / 42,52 inch w x 57,48
inch h
Editie 6 + 2 AP’s L formaat –
90 cm w x 121,5 cm h / 32,5 inch w x
47,83 inch h
Editie 9 + 2 AP’s S formaat –
65 cm w x 88 cm h / 25,59 inch w x 34,65
inch h
Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.
The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.
Call Studio Micky Hoogendijk at:
to talk to our team directly
GALLERY MICKY HOOGENDIJK
Phone:
Email: studio@mickyhoogendijk.com
Web: https://gallerymickyhoogendijk.com
DOUWES FINE ARTS
Phone:
Email: info@douwesfineart.com
Web: https://douwesfineart.com
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat
300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s L formaat
180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s S formaat
90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s XL formaat-
108 cm w x 146 cm h / 42,52 inch w x 57,48
inch h
Editie 6 + 2 AP’s L formaat –
90 cm w x 121,5 cm h / 32,5 inch w x
47,83 inch h
Editie 9 + 2 AP’s S formaat –
65 cm w x 88 cm h / 25,59 inch w x 34,65
inch h
Edition 3 + 1 A.P.
140 b x 50 d x 410 h cm
55 b x 20 d x 161 h inch
Bronze Sandcastmethode
Edition 3 + 1 A.P.
100 b x 50 d x 300 h cm
39 b x 20 d x 118 h inch
Bronze Sandcastmethode
Edition 3 + 1 A.P.
165 b x 104 d x 400 h cm
65 b x 41 d x 157 h inch
Bronze Sandcastmethode
Specs
140 illustrations
Text in Dutch and English
Format: 24,3 x 31,2 cm standing
Number of pages : 192
A full color print, printed on 135 grams higher bulk mc
Finishing: Hard cover, hardback
Cover printed in full color with Gold ink on cut, on three sides, and signed
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
100 h x 150 w cm / 39.40 h x 59.00 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
150 h x 107 w cm / 59.50 h x 42.25 w inch
edition 9 + 2 A.P.
120 h x 85.5 w cm / 47.50 h x 33.50 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
150 h x 100 w cm / 59.00 h x 39.40 w inch
edition 9 + 2 A.P.
120 h x 80 w cm / 47.25 h x 31.50 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
120 h x 80 w cm / 47.25 h x 31.50 w inch
edition 9 + 2 A.P.
100 h x 67 w cm / 39.40 h x 26.40 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
120 h x 80 w cm / 47.25 h x 31.50 w inch
edition 9 + 2 A.P.
100 h x 67 w cm / 39.40 h x 26.40 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
102 h x 80.7 w cm / 40 h x 31.50 w inch
edition 9 + 2 A.P.
80 h x 63.3 w cm / 31.5 h x 25 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
120 h x 80 w cm / 47.25 h x 31.50 w inch
edition 9 + 2 A.P.
100 h x 67 w cm / 39.40 h x 26.40 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
137 h x 103 w cm / 54 x 41.30 inch
edition 9 + 2 A.P.
90 h x 69 w cm / 35.50 h x 27 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
editie 6 plus 2 AP’s
150 x 100 cm / 59.06 x 39.37 inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
102 h x 99 w cm / 40 h x 39 w inch
edition 9 + 2 A.P.
80 h x 77.5 w cm / 31.50 h x 30.50 w inch
edition 12 + 2 A.P.
40 h x 39 w cm / 16 h x 15.35 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
100 h x 80 w cm / 39.50 h x 31.50 w inch
edition 9 + 2 A.P.
70 h x 56 w cm / 27.50 h x 22 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
120 h x 80 w cm / 47.25 h x 31.50 w inch
edition 9 + 2 A.P.
100 h x 67 w cm / 39.40 h x 26.40 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
125 h x 125 w cm / 49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x 100 w cm / 39.37 h x 39.37 w inch
edition 12 + 2 A.P.
80 h x 80 w cm / 31.50 h x 31.50 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
125 h x 125 w cm / 49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x 100 w cm / 39.37 h x 39.37 w inch
edition 12 + 2 A.P.
80 h x 80 w cm / 31.50 h x 31.50 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
125 h x 125 w cm / 49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x 100 w cm / 39.37 h x 39.37 w inch
edition 12 + 2 A.P.
80 h x 80 w cm / 31.50 h x 31.50 w inch
editie 6 plus 2 AP’s
125 x 125 cm / 49.21 x 49.21 inch
editie 9 plus 2 AP’s
100 x 100 cm / 39.37 x 39.37 inch
editie 12 plus 2 AP’s
80 x 80 cm / 31.50 x 31.50 inch
Hahnemühle Photo Rag Baryta
or
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
137 h x 91.5 w cm / 54 h x 36 w inch
edition 9 + 2 A.P.
90 h x 60 w cm / 35.50 h x 23.50 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6 + 2 A.P.
137 h x 90 w cm / 54 h x 35.45 w inch
edition 9 + 2 A.P.
90 h x 59.12 w cm / 35.50 h x 23.30 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6:
150 x 100 cm / 59.06 h x 39.37 w inch
edition 9:
90 x 63.5 cm / 35.43 h x 25 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6:
150 x 100 cm / 59.06 h x 39.37 w inch
edition 9:
90 x 63.5 cm / 35.43 h x 25 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 9:
90 x 63,5 cm / 35.43 h x 25 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 9:
63.5 x 90 cm / 25 h x 35.43 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 9:
63.5 x 90 cm / 25 h x 35.43 w inch
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 9:
63.5 x 90 cm / 25 h x 35.43 w inch
Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION
Editie 3 + 2 AP’s
XL formaat 300 cm w x 108 cm h / 118, 11 inch w x 42,52 inch h
Editie 6 + 2 AP’s
L formaat 180 cm w x 65 cm h / 70,87 inch w x 25,59 inch h
Editie 9 + 2 AP’s
S formaat 90 cm w x 32, 5 cm h / 35,43 inch w x 12,80 inch h
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6
+ 2 A.P. 120 h x 90 w cm / 40 h x 35.50 w inch
edition 9
+ 2 A.P. 80 h x 60 w cm / 31.50 h x 23.50 w inch
edition 12
+ 2 A.P. 60 h x 45 w cm / 23.50 h x 18 w inch
Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6
+ 2 A.P. 120 h x 90 w cm / 40 h x 35.50 w inch
edition 9
+ 2 A.P. 80 h x 60 w cm / 31.50 h x 23.50 w inch
Hahnemühle Photo Rag Baryta
or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond
edition 6
+ 2 A.P. 120 h x 90 w cm / 40 h x 35.50 w inch
edition 9
+ 2 A.P. 80 h x 60 w cm / 31.50 h x 23.50 w inch
edition 12
+ 2 A.P. 60 h x 45 w cm / 23.50 h x 18 w inch
Details:
62 x 18 x 16 cm
24,3 x 7 x 6,2 inch
Bronze
Details:
90 x 46 x 27 cm
35,4 x 18 x 10,6 inch
Bronze
Details:
65 x 21 x 20 cm
25,5 x 8,2 x 7,8 inch
Bronze