THE MEETINGS OF THE WATERS FULL SERIE

NR I THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR II THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR III THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR IV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR IV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR V THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR VI THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR VII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR VIII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR IX THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR X THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XI THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XIII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XIV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

NR XVITHE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond
LIMITED EDITION

Editie 3 + 2 AP’s XL formaat-
108 cm w x 146 cm h / 42,52 inch w x 57,48
inch h

Editie 6 + 2 AP’s L formaat  –  
90 cm w x 121,5 cm h / 32,5 inch w x
47,83 inch h

Editie 9 + 2 AP’s S formaat –
65 cm w x 88 cm h / 25,59 inch w x 34,65
inch h

Micky Hoogendijk’s “The Meetings of the Waters” series, created in 2020, is a profound exploration of the birth and essence of womanhood. Inspired by a dream and unknowingly titled after a song by Irish singer Fionn Regan, this series captures five women exposing their naked bodies to the elements of wind and water against the backdrop of the receding tide. She found this desolate landscape she feared was nonexistent in the Waddenzee. With its broad horizon and exposed sea bed, it provides a timeless and ethereal setting for these photographs.

The series draws a parallel to Sandro Botticelli’s iconic painting “The Birth of Venus,” made around 1485, which depicts the goddess Venus emerging from the sea on a shell. In a similar vein, Hoogendijk’s images feature women in poses that evoke the symbolism of rebirth and creation. The naked woman at the center of one photograph, with wind in her hair and ripples around her, recalls Botticelli’s Venus standing proudly, illuminated by the rising sun. However, unlike Botticelli’s Venus, Hoogendijk’s figures do not cover their bodies with their hands but instead embrace their natural form without shame, symbolizing a modern reinterpretation of the goddess of love and fertility.

ENQUIRE

Nr I THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat
 300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr II THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 6  + 2 AP’s L formaat
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr III THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat
 300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr IV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr V THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr VI THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat
 300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr VII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr VIII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr IX THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 6  + 2 AP’s L formaat
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr X THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XI THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XIII THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XIV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XV THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  XL formaat  
300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s L formaat 
180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  S formaat
90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Nr XVI THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s XL formaat-
108 cm w x 146 cm h / 42,52 inch w x 57,48
inch h

Editie 6 + 2 AP’s L formaat  –  
90 cm w x 121,5 cm h / 32,5 inch w x
47,83 inch h

Editie 9 + 2 AP’s S formaat –
65 cm w x 88 cm h / 25,59 inch w x 34,65
inch h

ENQUIRE

ALGEMEEN

ENQUIRE

THE ONES XI (2023) Larger Than Life Version

Edition 3 + 1 A.P.
140 b x 50  d x 410 h cm
55 b x 20 d x 161 h inch

Bronze Sandcastmethode

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THE ONES VI (2023) Larger Than Life Version

Edition 3 + 1 A.P.
100 b x 50 d x 300 h cm
39 b x 20 d x 118 h inch

Bronze Sandcastmethode

ENQUIRE

THE ONES I (2023) Larger Than Life Version

Edition 3 + 1 A.P.
165 b x 104 d x 400 h cm
65 b x 41 d x 157 h inch

Bronze Sandcastmethode

ENQUIRE

Please send me a Brochure

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BOOK Kracht Kwetsbaarheid

Specs
140 illustrations
Text in Dutch and English
Format: 24,3 x 31,2 cm standing
Number of pages : 192

A full color print, printed on 135 grams higher bulk  mc
Finishing: Hard cover, hardback
Cover printed in full color with Gold ink on cut, on three sides, and signed

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Absolution

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
100 h x 150 w cm / 
 39.40 h x 59.00 w inch

edition 9 
80 h x 120 cm  w/ 31.50 h x  47.25 w inch

ENQUIRE

See Me In The Colors

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
150 h x 107 w cm / 
 59.50 h x 42.25 w inch

edition 9 + 2 A.P.
120 h x 85.5 w cm / 
 47.50 h x 33.50 w inch

ENQUIRE

Laissez Faire

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
150 h x 100 w cm / 
 59.00 h x 39.40 w inch

edition 9 + 2 A.P.
120 h x 80 w cm / 
 47.25 h x 31.50 w inch

ENQUIRE

Fish Eye Closed

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
120 h x 80 w cm /
47.25 h x 31.50 w inch

edition 9 + 2 A.P.
100 h x 67 w cm / 
39.40 h x 26.40 w inch

ENQUIRE

Fish Eye Open

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
120 h x 80 w cm /
47.25 h x 31.50 w inch

edition 9 + 2 A.P.
100 h x 67 w cm / 
39.40 h x 26.40 w inch

ENQUIRE

Death becomes Her

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
102 h x 80.7 w cm /
40 h x 31.50 w inch

edition 9 + 2 A.P.
80 h x 63.3 w cm /
31.5 h x 25 w inch

ENQUIRE

Rubio

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
120 h x 80 w cm / 
47.25 h x 31.50 w inch

edition 9 + 2 A.P.
100 h x 67 w cm / 
39.40 h x 26.40 w inch

ENQUIRE

The Bride

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
137 h x 103 w cm /
 54 x 41.30 inch

edition 9 + 2 A.P.
90 h x 69 w cm / 
35.50 h x 27 w inch

ENQUIRE

Muse Reflection

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

editie 6 plus 2 AP’s
150 x 100 cm / 59.06 x 39.37 inch

editie 9 plus 2 AP’s
120 x 80 cm / 47,24 x 31,5 inch
 

ENQUIRE

Traveler

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
102 h x 99 w cm /
40 h x 39 w inch

edition 9 + 2 A.P.
80 h x 77.5 w cm /
31.50 h x 30.50 w inch

edition 12 + 2 A.P.
40 h x 39 w cm /
16 h x 15.35 w inch

ENQUIRE

Rainstick

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
100 h x 80 w cm /
39.50 h x 31.50 w inch

edition 9 + 2 A.P.
70 h x 56 w cm /
27.50 h x 22 w inch

ENQUIRE

My ode to Damien

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
120 h x 80 w cm / 
47.25 h x 31.50 w inch

edition 9 + 2 A.P.
100 h x 67 w cm / 
39.40 h x 26.40 w inch

ENQUIRE

Ave Maria III

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
125 h x 125 w cm / 
49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x  100 w cm / 39.37
h x 39.37 w inch
edition 12 + 2 A.P. 
80 h x  80 w cm / 31.50 h x 31.50 w inch

ENQUIRE

Ave Maria II

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
125 h x 125 w cm / 
49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x  100 w cm / 39.37
h x 39.37 w inch
edition 12 + 2 A.P. 
80 h x  80 w cm / 31.50 h x 31.50 w inch

ENQUIRE

Ave Maria I

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
125 h x 125 w cm / 
49.21 h x 49.21 w inch
edition 9 + 2 A.P.
100 h x  100 w cm / 39.37
h x 39.37 w inch
edition 12 + 2 A.P. 
80 h x  80 w cm / 31.50 h x 31.50 w inch

ENQUIRE

Trust

editie 6 plus 2 AP’s
125 x 125 cm / 49.21 x 49.21 inch

editie 9 plus 2 AP’s
100 x 100 cm / 39.37 x 39.37 inch

editie 12 plus 2 AP’s
80 x 80 cm / 31.50 x 31.50 inch

ENQUIRE

Veneer

Hahnemühle Photo Rag Baryta
or
Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
137 h x 91.5 w cm /
54 h x 36 w inch

edition 9 + 2 A.P.
90 h x 60 w cm /
35.50 h x 23.50 w inch

ENQUIRE

Moonlight

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6 + 2 A.P.
137 h x 90 w cm / 54 h x 35.45 w inch

edition 9 + 2 A.P.
90 h x 59.12 w cm / 35.50 h x 23.30 w inch

ENQUIRE

BAPTISM

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6:
150 x 100 cm /  59.06 h x 39.37 w inch

edition 9:
90 x 63.5 cm / 35.43 h x 25 w inch

ENQUIRE

OVERCOMING

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6:
150 x 100 cm /  59.06 h x 39.37 w inch

edition 9:
90 x 63.5 cm / 35.43 h x 25 w inch

ENQUIRE

REMNANTS OF YOU

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 9:
90 x 63,5 cm /  35.43 h x 25 w inch

ENQUIRE

HEAL

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 9:
63.5 x 90 cm /  25 h x 35.43 w inch

ENQUIRE

THE SOURCE

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 9:
63.5 x 90 cm /  25 h x 35.43 w inch

ENQUIRE

SOLITUDE

Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 9: 
63.5 x 90 cm / 25 h x 35.43 w inch

ENQUIRE

NR I THE MEETINGS OF THE WATERS

Fine-art pigmended inks on Photo Rag Satin paper, mounted to 4mm dibond

LIMITED EDITION

Editie 3 + 2 AP’s  
XL formaat  300 cm w x 108 cm h  /  118, 11 inch w x 42,52 inch h

Editie 6  + 2 AP’s
L formaat  180 cm w  x 65 cm h  /  70,87 inch w x 25,59 inch h

Editie 9 + 2 AP’s  
S formaat 90 cm w x 32, 5 cm h  /  35,43 inch w x 12,80 inch h

ENQUIRE

Princess (2015)

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6
+ 2 A.P. 120 h x 90 w cm / 
40 h x 35.50 w inch
edition 9
+ 2 A.P. 80 h x 60 w cm /
 31.50 h x 23.50 w inch
edition 12
+ 2 A.P. 60 h x 45 w cm /
 23.50 h x 18 w inch

ENQUIRE

The Nun (2015)

Hahnemühle Photo Rag Baryta or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6
+ 2 A.P. 120 h x 90 w cm / 
40 h x 35.50 w inch
edition 9
+ 2 A.P. 80 h x 60 w cm /
 31.50 h x 23.50 w inch

ENQUIRE

Dutch (2015)

Hahnemühle Photo Rag Baryta
or Lambda High Gloss
3 mm plexiglas in 4 mm Dibond

edition 6
+ 2 A.P.  120 h x 90 w cm  /
40 h x 35.50 w inch
edition 9
+ 2 A.P.  80 h x 60 w cm /
31.50 h x 23.50 w inch
edition 12
+ 2 A.P. 60 h x 45 w cm / 23.50 h x 18 w inch

ENQUIRE

The Ones XVI

Details:
62 x 18 x 16 cm
24,3 x 7 x 6,2 inch
Bronze

ENQUIRE

The Ones XIV

Details:
90 x 46 x 27 cm
35,4 x 18 x 10,6 inch
Bronze

ENQUIRE

The Ones XIII

Details:
65  x 21 x 20 cm
25,5 x 8,2 x 7,8 inch
Bronze